Another set of amazing insect macro-photography. Take a look at the whole set here.
… it is the last week of October and you are still harvesting ripe tomatoes from the vine.
Moliere‘s quote (from “The Miser”): “One should eat to live, not live to eat” is often paraphrased and used to motivate dieters or over-consumers. I’m going to take it in another direction today.
We need to eat to live. Truly live. Eating involves not only nutrition and sustenance, but also community and beauty. To truly live life, we must eat. And we should eat well. That doesn’t mean decadence.
This weekend Michael Pollan spoke about sustainable food at the Pop!Tech conference in Camden, Maine. The video of his talk is currently unavailable online but you can read the live-blogging summary of the Velveteen Rabbi. Best soundbite of that talk: “A vegan in a Hummer has a smaller carbon footprint than a meat-eater in a Prius.”
He concluded his talk by naming three action items (quoted here from the Velveteen Rabbi’s post):
Yes!
I can tend to be a little too utilitarian at times. I’ll choose function over form (especially if it costs less). That’s not necessarily a bad thing. But I have come to realize that there is a place to invest in beauty. Gardens are, of course, functional (and so much more, but that is for another post). However, taking the harvest and truly drawing out the richness of the colors, textures, flavors, and aromas is an art. The preparation and presentation of the meal is not just a task, but a sacred vocation. Sacred, because it transforms the ingredients from mere food into delectable and artistic instruments for a communal rite: sharing a meal.
More amazing photos (but alas, not from any of my cameras). Can you guess what this is? HINT: it’s not some kind of coffee bean or seed. I found it at Alex Wild’s blog this week.
Keep reading for some more hints and photos.
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I just found a post that J. Randall Short put up in June. He wrote about the Birmingham Boys Choir performing in Japan. He highlights one of the pieces they sang, which is based on the poem “Youth” by Samuel Ullman. I had never read this poem before. Below are the first and last stanza. Be sure to read all of it (and his comments) at his blog.
Youth is not a time of life; it is a state of mind;
it is not a matter of rosy cheeks, red lips and supple knees;
it is a matter of the will, a quality of the imagination, a vigor of the emotions;
it is the freshness of the deep springs of life.
…
When the aerials are down, and your spirit is covered with snows of cynicism and the ice of pessimism,
then you are grown old, even at twenty,
but as long as your aerials are up, to catch the waves of optimism,
there is hope you may die young at eighty.
I think it was C.S. Lewis who said, “You are never too old to set another goal or to dream a new dream.”
Here’s to Youth, at whatever age.
Since NPR did not think it was too early to start highlighting the Christmas retail shopping season, I figured it would not be too early to pass on this holiday-must-have for the upcoming Hanukkah/Christmas season.
Wow. Look at these images from the Nikon International Small World Competition. These images are all photomicrographs.
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We lived on Moloka’i, Hawai’i, for a year. While there, the school where we taught closed for only two events: bees which had nested in and overcome a wall of the school, and a tsunami warning.
It is hard to articulate just how scary it is to wait for a potential tsunami to arrive. It may turn out to be nothing. It may devastate the coastal towns. You cannot know until it is upon you. The greatest fear of the civil safety teams is that people will grow weary of warnings that do not develop into tragedy and will not pay heed to evacuation warnings any longer.
This September 29, 2009, video from the FBI in Pago Pago shows how “normal” everything is right up until it is almost too late.
The NPR site which reported the video said:
You can see three people walking across the parking lot. The first two walk out of the bottom of the video frame. A third person walks in the same direction as the first two, then stops and walks back towards the direction of the ocean. The person stops, apparently scanning the ocean, then turns and runs in the other direction after spotting the incoming tsunami wave. The questions that haunt the viewer are what became of these people? Did they survive?
You can find many amateur videos of tsunamis on youtube.com. In many, the strength of the water is hard to visualize. I will link to one video, but with a caveat. I link to this one because it shows the height and strength of the tsunami before it crashes and rushes inland. BUT I think the surfer who is riding this wave is absolutely insane.
I went to get a cup of coffee and got distracted from productive work for the next half hour because just 2 inches from our kitchen window a large spider was eating a meal. I don’t think I’ve ever seen this from the “underside” of a spider. Or that close.
Oh for a DSLR with a terrific lens (email me if you need my address).
But I did get to capture a bit of the excitement with my easy-to-take-overseas Panasonic Lumix DMC-TZ3, which actually has a pretty amazing Leica lens and gets some surprising results. Did I mention that these photos were all taken through a (dirty!) window?
In August, Rob Kashow highlighted an important redactional and source critical analysis. I want to point to another worthy contribution. Mark Shea, who blogs at Catholic and Enjoying It, wrote a tremendous source critical article on an ancient text that some of you might be interested in (some of you, who keep up with the literature will no doubt already be familiar with this contribution). With his generous permission, I reproduce the text of that article here for those who have not had the opportunity to read it. Please visit his blog, where the tagline is, “So That No Thought of Mine, No Matter How Stupid, Should Ever Go Unpublished Again!” Jim West would be proud (or jealous).
Experts in source-criticism now know that The Lord of the Rings is a redaction of sources ranging from the Red Book of Westmarch (W) to Elvish Chronicles (E) to Gondorian records (G) to orally transmitted tales of the Rohirrim (R). The conflicting ethnic, social and religious groups which preserved these stories all had their own agendas, as did the “Tolkien” (T) and “Peter Jackson” (PJ) redactors, who are often in conflict with each other as well but whose conflicting accounts of the same events reveals a great deal about the political and religious situations which helped to form our popular notions about Middle Earth and the so-called “War of the Ring.” Into this mix are also thrown a great deal of folk materials about a supposed magic “ring” and some obscure figures named “Frodo” and “Sam.” In all likelihood, these latter figures are totems meant to personify the popularity of Aragorn with the rural classes.
Because The Lord of the Rings is a composite of sources, we may be quite certain that “Tolkien” (if he ever existed) did not “write” this work in the conventional sense, but that it was assembled over a long period of time by someone else of the same name. We know this because a work of the range, depth, and detail of The Lord of the Rings is far beyond the capacity of any modern expert in source-criticism to ever imagine creating themselves.
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